Search Results
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
Y
Z
go to Causus belli (Cause for War), from the series L’Opéra au XIXéme siècle (The Opera in the 19th Century), published in Le Charivari page
Edouard de Beaumont
Causus belli (Cause for War), from the series L’Opéra au XIXéme siècle (The Opera in the 19th Century), published in Le Charivari
n.d.
go to — Comment, antropophage….., tu te présentes dans une société comme celle-ci?.... (— How, cannibal….., do you dare present yourself in a society like this?....), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
— Comment, antropophage….., tu te présentes dans une société comme celle-ci?.... (— How, cannibal….., do you dare present yourself in a society like this?....), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to Comment, tu as encore été au bal cette nuit!..... (— What, you went to the ball again last night!.....), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
Comment, tu as encore été au bal cette nuit!..... (— What, you went to the ball again last night!.....), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to "Comment, ma nièce, tu ne te rangeras donc pas" (— What, my niece, why won’t you straighten up), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
"Comment, ma nièce, tu ne te rangeras donc pas" (— What, my niece, why won’t you straighten up), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to Le violon de l’opera: — Vue prise a quatre heures du matin. (The concertmaster of the opera: — Scene at four o’clock in the morning.), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
Le violon de l’opera: — Vue prise a quatre heures du matin. (The concertmaster of the opera: — Scene at four o’clock in the morning.), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to Oh! ciel, quelles manières, pour une femme comme il faut!.. (Oh! heavens, what manners, for a woman with a sense of etiquette!.. ), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
Oh! ciel, quelles manières, pour une femme comme il faut!.. (Oh! heavens, what manners, for a woman with a sense of etiquette!.. ), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to A Trois heures du matin (At Three in the Morning), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
A Trois heures du matin (At Three in the Morning), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to A Quatre heures du matin. (At Four in the Morning.), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
A Quatre heures du matin. (At Four in the Morning.), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to M’sieur est fumiste?.. (Mister is a chimney sweep?..), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
M’sieur est fumiste?.. (Mister is a chimney sweep?..), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to —Comment ça, c’est la Guimard...une fameuse danseuse...mais on ne lui a seulement pas fait de jambes... (—What do you mean, this is Guimard...a famous dancer...but the legs are missing...), published in Le Charivari page
Edouard de Beaumont
—Comment ça, c’est la Guimard...une fameuse danseuse...mais on ne lui a seulement pas fait de jambes... (—What do you mean, this is Guimard...a famous dancer...but the legs are missing...), published in Le Charivari
c. 1843–66
go to — Ça….tu me feras croire que ça ouvre toutes les portes…..un rameau vert….(— This….You would have me believe that it opens all doors…an olive branch….), from the series L'Opéra au XIXème. Siècle (The Opera in the 19th Century), published in Le Charivari page
Edouard de Beaumont
— Ça….tu me feras croire que ça ouvre toutes les portes…..un rameau vert….(— This….You would have me believe that it opens all doors…an olive branch….), from the series L'Opéra au XIXème. Siècle (The Opera in the 19th Century), published in Le Charivari
1843–66
go to Pastorale! (Pastoral!), from the series A La Campagne (In the Countryside), published in Le Charivari page
Edouard de Beaumont
Pastorale! (Pastoral!), from the series A La Campagne (In the Countryside), published in Le Charivari
1843–66
go to Retour de la foire de St. Cloud, sur l'air du Larifla (Returning from the St. Cloud fair, playing the tune Lairfla), from the series A La Campagne (In the Countryside), published in Le Charivari page
Edouard de Beaumont
Retour de la foire de St. Cloud, sur l'air du Larifla (Returning from the St. Cloud fair, playing the tune Lairfla), from the series A La Campagne (In the Countryside), published in Le Charivari
1843–66
go to Paysage d’été (Summer Landscape), from the series A la campagne (In the Countryside), published in Le Charivari page
Edouard de Beaumont
Paysage d’été (Summer Landscape), from the series A la campagne (In the Countryside), published in Le Charivari
1843–66
go to Un braconnier surpris au gîte. (A poacher surprised at home.), from the series A La Campagne (In the Countryside), published in Le Charivari page
Edouard de Beaumont
Un braconnier surpris au gîte. (A poacher surprised at home.), from the series A La Campagne (In the Countryside), published in Le Charivari
1843–66
go to – Epousez donc un mari chasseur!.... (– Why don't you marry a hunter!....), from the series A La Campagne (In the Countryside), published in Le Charivari page
Edouard de Beaumont
– Epousez donc un mari chasseur!.... (– Why don't you marry a hunter!....), from the series A La Campagne (In the Countryside), published in Le Charivari
1843–66
go to "Bonjour, madame, comment vous portez vous?.." – Bonjour, madame, comment vous portez vous?.. (– Greetings, madam, how are you?..), from the series Fariboles (Nonsense), published in Le Charivari page
Edouard de Beaumont
"Bonjour, madame, comment vous portez vous?.." – Bonjour, madame, comment vous portez vous?.. (– Greetings, madam, how are you?..), from the series Fariboles (Nonsense), published in Le Charivari
1843–66
go to Nymphes et Sacripan (Nymphs and Rascal), from the series Fariboles (Nonsense), published in Le Charivari page
Edouard de Beaumont
Nymphes et Sacripan (Nymphs and Rascal), from the series Fariboles (Nonsense), published in Le Charivari
1843–66
go to Toujours cet as de pique et pas de roi de trèfle…cela commence à devenir inquiétant!.. (Always an ace of spade and no king of clubs…it’s starting to become worrisome!..), from the series Fariboles (Nonsense), published in Le Charivari page
Edouard de Beaumont
Toujours cet as de pique et pas de roi de trèfle…cela commence à devenir inquiétant!.. (Always an ace of spade and no king of clubs…it’s starting to become worrisome!..), from the series Fariboles (Nonsense), published in Le Charivari
1843–66 (post 1851)
go to Oh! monsieur,.. moi, intéressée avec vous!.... (Oh! sir,.. me, being interested in you!....), from the series Fariboles (Nonsense), published in Le Charivari page
