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172 results:
go to Ciel d'Orage (Stormy Sky) page
1986_10.jpg

Alexander Calder

Ciel d'Orage (Stormy Sky)

1976
go to Parallel Axis page
2017_0002.tif

Carolee Schneemann

Parallel Axis

1973 / 2009
go to Pase de Capa (Pass of the Cape) page
4068_2.jpg

Pablo Picasso

Pase de Capa (Pass of the Cape)

1959
go to Avenue and Formal Pool at St-Georges-Motel page
2012_0004.tif

Winston Churchill

Avenue and Formal Pool at St-Georges-Motel

1935
go to Self Portrait page
1980_1.jpg

Werner Drewes

Self Portrait

1973
go to Barcelona III page
3797.tif

Joan Miró

Barcelona III

1944
go to Grand visage et oiseau (Large Face and Bird) page
3846.jpg

Marc Chagall

Grand visage et oiseau (Large Face and Bird)

c. 1950–52
go to Untitled page
1979_23_10.jpg

Joan Miró

Untitled

1969
go to Swan Song page
2014_0006.tif

Judy Pfaff

Swan Song

2006
go to Portrait of Josep F. Ràfols page
3932.tif

Joan Miró

Portrait of Josep F. Ràfols

1917
go to Untitled, from the portfolio 10: Artist as Catalyst page
1994_07_01.jpg

Ida Applebroog

Untitled, from the portfolio 10: Artist as Catalyst

c. 1992
go to Ertan Dam, Downstream Side, Panzhihua (Sichuan), China page
2004_0005.tif

Armin Linke

Ertan Dam, Downstream Side, Panzhihua (Sichuan), China

1998
go to Untitled (Reaper Drone) page
2012_0001.tif

Trevor Paglen

Untitled (Reaper Drone)

2010
go to Le chemin des vieux, Luzancy, Seine-et-Marne (The Path of the Old People) page
Jean-Baptiste-Camille Corot (French, 1796–1875), Le chemin des vieux, Luzancy, Seine-et-Marne (The Path of the Old People), 1871–72. Oil on canvas on Masonite, 2 7/8 x 22 in. Bequest of Charles Parsons, 1905.

Jean-Baptiste-Camille Corot

Le chemin des vieux, Luzancy, Seine-et-Marne (The Path of the Old People)

1871–72
go to Wood Interior page
2110.tif

Narcisse Virgile Diaz de la Peña

Wood Interior

1867
go to The River page
2112.tif

Jules Dupré

The River

19th century
go to Daniel Boone Escorting Settlers through the Cumberland Gap page
2171.tif

George Caleb Bingham

Daniel Boone Escorting Settlers through the Cumberland Gap

1851–52
go to Sierra Nevada de Santa Marta page
Frederic Edwin Church (American, 1826–1900), Sierra Nevada de Santa Marta, 1883. Oil on canvas, 40 1/16 x 60 1/8 in. Bequest of Charles Parsons, 1905.

Frederic Edwin Church

Sierra Nevada de Santa Marta

1883
go to Peinture (Painting) page
3768.tif

Joan Miró

Peinture (Painting)

1933
go to La tour marine (Tower of the Sea) page
3772.tif

Yves Tanguy

La tour marine (Tower of the Sea)

1944