Edouard de Beaumont

A Quatre heures du matin. (At Four in the Morning.), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari

Edouard de Beaumont

Retour de la foire de St. Cloud, sur l'air du Larifla (Returning from the St. Cloud fair, playing the tune Lairfla), from the series A La Campagne (In the Countryside), published in Le Charivari

Edouard de Beaumont

— Mossieure le maire ayant défendu qu'on ne se baigne en cet endroit (—The Mayor having forbidden swimming at this location), from the series A La Campagne (In the Countryside), published in Le Charivari

Edouard de Beaumont

—Tiens, c’est un artiste!.....il dort. (—Look, it’s an artist!...he is sleeping.), from the series A La Campagne (In the Countryside), published in Le Charivari

Edouard de Beaumont

C'est pourtant vrai… c'est bien mon portrait que vous avez fait là en deux minutes… (It’s true though...it’s really my portrait that you did here in two minutes...), from the series Fariboles (Nonsense), published in Le Charivari

Edouard de Beaumont

Le violon de l’opera: — Vue prise a quatre heures du matin. (The concertmaster of the opera: — Scene at four o’clock in the morning.), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari

Edouard de Beaumont

Causus belli (Cause for War), from the series L’Opéra au XIXéme siècle (The Opera in the 19th Century), published in Le Charivari

Edouard de Beaumont

Dire que nous ne recevons que vingt cinq sous par soirée pour tenir notre emploi. (To think that we receive only twenty-five sous per night for our job….), from the series L'Opéra au XIXme. Siècle (The Opera in the 19th Century), published in Le Charivari

Edouard de Beaumont

Un braconnier surpris au gîte. (A poacher surprised at home.), from the series A La Campagne (In the Countryside), published in Le Charivari

Edouard de Beaumont

À la Campagne. (In the countryside.), from the series Fariboles (Nonsense), published in Le Charivari

Edouard de Beaumont

"Bonjour, madame, comment vous portez vous?.." – Bonjour, madame, comment vous portez vous?.. (– Greetings, madam, how are you?..), from the series Fariboles (Nonsense), published in Le Charivari

Edouard de Beaumont

Scène d'intérieur. (Domestic Scene.), from the series Fariboles (Nonsense), published in Le Charivari

Edouard de Beaumont

C'est son droit! (It’s his right!), from the series Fariboles (Nonsense) published in Le Charivari

Edouard de Beaumont

— M'sieu, faudrait tâcher de n'pas rentrer comme ça tous les jours passé ménuit!.. (—Mister, you must try not to come back like that every day after midnight!..), from the series Fariboles (Nonsense) published in Le Charivari

Edouard de Beaumont

Une Pastorale en 1865. (A Pastoral in 1865.), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari

Edouard de Beaumont

— Comment, antropophage….., tu te présentes dans une société comme celle-ci?.... (— How, cannibal….., do you dare present yourself in a society like this?....), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari

Edouard de Beaumont

Oh! ciel, quelles manières, pour une femme comme il faut!.. (Oh! heavens, what manners, for a woman with a sense of etiquette!.. ), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari

Edouard de Beaumont

Enlèvement d'une barricade, par les gardes mobiles. (Removal of a barricade, by the national guard.), from the series Souvenirs des Journees de Juin, 1848 (Souvenirs of June 1848), published in Le Charivari

Edouard de Beaumont

— Tiens, voilà Mr. Poitevin qui passe….. (— Look, Mr. Poitevin is flying…..), from the series A La Campagne (In the Countryside), published in Le Charivari

Edouard de Beaumont

Un braconnier surpris au gîte. (A poacher surprised at home.), from the series A La Campagne (In the Countryside), published in Le Charivari

Honoré Daumier

L’Arrivée

Unknown (French, 19th century)

Gard à vous, blagueurs! portez arme! (Watch yourself, jokers! Carry arms!), published in La Caricature

Joseph-Louis-Hippolyte Bellangé

Août 1830. (August 1830.), published in La Caricature

W.B.

Scène diabolique. (Diabolic scene.), published in La Caricature

Unknown (French, 19th century)

L'adoration du Veau D'or. (Worship of the golden calf.), published in La Caricature

Alfred Le Petit

"Mes chers petits Parisiens..." ("My dear little Parisians..."), from La Charge

Alfred Le Petit

Le porc des Tuileries: "Adieu, mon étoile!" (The Pig of the Tuileries: 'Farewell, my star!'), from La Charge

Unknown

Chasse aux lièvres pour la table du Château. (Hare hunting for the Château's table.), published in Le Charivari

E. Damourette

– Je vous aimerais tant?.. (– I would love you so much?..), from the series A La Campagne (In the Countryside), published in Le Charivari

Charles Vernier

À Novare. (In Novare), from the series Actualités (Current Events), published in Le Charivari

Charles Vernier

Comment!..... vous aussi, chevalier Véron, vous passez au camp des démagogues!...... (– What!..... You too, chevalier Véron, you are passing into the camp of the demagogues!.......), from the series Actualités (Current Events), published in Le Charivari

Auguste Bourdet

Madame, savez-vous si Melle Lili dansera ce soir la Chachucha? (Madam, do you know whether Miss Lili will dance the Cachucha tonight?), No. 3 from the series Bétises (Foolishness), published in Le Charivari

Fréderic Bouchot

Je suis comme vous, mon cher ami, (I am like you, my dear friend,), from the series le Chapitre des illusions (The Chapter of Illusions), published in Le Charivari

Benjamin Roubaud

De Marrast, Ecrivain fin, piquant et nerveux (See the large head of hair of Marrast, a keen, sharp and nervous writer), from the series Panthéon Charivarique (Grotesque Pantheon), published in Le Charivari

A. Casati

Marie Amélie, dont le coeur maternel saignait à l'idée des horreurs du Mont St. Michel (Marie Amélie, whose maternal heart bled at the idea of the horrors of Mont St. Michel), from the series Série politique (Political Series), published in La Mode

Fréderic Bouchot

Pauvre sergent-major! (Poor Sargent Major!), No. 21 from the series Tribulations de la Garde Nationale (Tribulations of the National Guard), published in Le Charivari

Fréderic Bouchot

Le Fourniment. (Supplies.), No. 6 from the series Tribulations de la Garde Nationale (Tribulations of the National Guard), published in Le Charivari

Charles Joseph Traviès de Villers

Étudiant et Etudiante.. (Male student and female student..), from the series Comme on Dine à Paris (How to Dine in Paris), published in Le Charivari

Fréderic Bouchot

– Ces pauvres gens, ont-ils chaud!..... (–Those poor people, aren’t they hot!.....), from the series Croquis du Jour (Sketch of the Day), published in Le Charivari

Unknown (French, 19th century)

"Ma maison a toujours été renommée pour la rigidité de ses mœurs (My business has always been renowned for the rigidity of its mores.), from the series Fariboles (Nonsense), published in Le Charivari

William Fett

Study of a Figure in a Landscape

Robert Rauschenberg

Guardian

George Grosz

Löhnungstag (Pay Day), from the portfolio Im Schatten (In the Shadows)

George Bartko

Untitled

John J. Moore

Still Life with Orange Bowl

Alphonse Mucha

Plate 32, from Documents Decoratifs

Roy Lichtenstein

Study of Hands

Paul Émile Berthon

Le livre de Magda

José Clemente Orozco

Untitled, from 20 Dibujos

José Clemente Orozco

Untitled, from 20 Dibujos

José Clemente Orozco

Untitled, from 20 Dibujos

José Clemente Orozco

Untitled, from 20 Dibujos

Rudolph Carl Gorman

Navaho Mother in Supplication

Henry Moore

Folded Sheet, from the portfolio Sketches of Auden

Henry Moore

Multitude I, from the portfolio Sketches of Auden

Maurits Cornelis Escher

Relativity

William Gropper

Tramp

Thomas Browne Cornell

Lions and People

Don Eddy

Strictly Kosher Meats

Fritz Scholder

Reclining Indian Woman

Humor, Irony, and Satire: Strategies of Critique in Modern Art and Culture

Women's Work, Arthur Greenberg Undergraduate Curatorial Fellowship exhibition