Unknown (French, 19th century)
Programme (Program)
late 19th century
1 / 1
-
Artist
Unknown (French, 19th century)
- Title Programme (Program)
- Date late 19th century
- Medium Pencil with watercolor on paper
-
Dimensions
sheet | 14 1/2 x 12 1/16 in.
- Credit line Gift of Eric G. Carlson in honor of Professor Elizabeth C. Childs, 2000
- Object number WU 2000.0240
-
Technique
drawing
-
Work type
caricature
drawing
The Political Eye: Nineteenth-Century French Caricature and the Mass Media
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 01/30/2009 - 04/27/2009
This artwork record may be incomplete or need refinement. Our staff actively researches the collection and revises records when new information is available. If you have questions or comments about this record, please contact us.
Related Works
go to Précautions inutiles (Unnecessary Precautions), from La Caricature page
Unknown (French, 19th century)
Précautions inutiles (Unnecessary Precautions), from La Caricature
1830–35
go to Gard à vous, blagueurs! portez arme! (Watch yourself, jokers! Carry arms!), published in La Caricature page
Unknown (French, 19th century)
Gard à vous, blagueurs! portez arme! (Watch yourself, jokers! Carry arms!), published in La Caricature
1830–35
go to Le grand prix de vertu. (The Grand Prize for Virtue.), published in Le Charivari page
Unknown (French, 19th century)
Le grand prix de vertu. (The Grand Prize for Virtue.), published in Le Charivari
13 March 1834
go to Les trois parques (The Three Fates), published in La Caricature page
Unknown (French, 19th century)
Les trois parques (The Three Fates), published in La Caricature
20 March 1834
go to L'adoration du Veau D'or. (Worship of the golden calf.), published in La Caricature page
Unknown (French, 19th century)
L'adoration du Veau D'or. (Worship of the golden calf.), published in La Caricature
1830–35
go to Marche. Marche toujours. (March. Always march.), published in Le Charivari page
Unknown (French, 19th century)
Marche. Marche toujours. (March. Always march.), published in Le Charivari
21 December 1834
go to "Charmant petit débardeur….." ("Charming little roustabout….."), from the series Bals Masqués (At the Masquerade Ball), published in Le Charivari page
Unknown (French, 19th century)
"Charmant petit débardeur….." ("Charming little roustabout….."), from the series Bals Masqués (At the Masquerade Ball), published in Le Charivari
10 December 1859
go to "Eh! ben, qué-qu'-t'as?.…" ("Well, what's up with you?....,"), from the series Fariboles (Frivolities), published in Le Charivari page
Unknown (French, 19th century)
"Eh! ben, qué-qu'-t'as?.…" ("Well, what's up with you?....,"), from the series Fariboles (Frivolities), published in Le Charivari
n.d.
go to Une Rencontre à Dieppe (A Meeting in Dieppe), from the series Fariboles (Nonsense), published in le Charivari page
Unknown (French, 19th century)
Une Rencontre à Dieppe (A Meeting in Dieppe), from the series Fariboles (Nonsense), published in le Charivari
n.d.
go to Elle est joliment gentille cette bouquetière là!.... (— She is prettily kind this flower vendor!....), from the series Fariboles (Nonsense), published in Le Charivari page
Unknown (French, 19th century)
Elle est joliment gentille cette bouquetière là!.... (— She is prettily kind this flower vendor!....), from the series Fariboles (Nonsense), published in Le Charivari
after 1841
go to "Un vieux de la vieille, ("One of the old brigade,), from the series Les Pétitions Illustrées (Petitions Illustrated), published in Le Charivari page
Unknown (French, 19th century)
"Un vieux de la vieille, ("One of the old brigade,), from the series Les Pétitions Illustrées (Petitions Illustrated), published in Le Charivari
13 October 1848
go to Par un bâton, (By a stick,), from the series Miroir Drolatique (Humorous Mirror), published in Le Charivari page
Unknown (French, 19th century)
Par un bâton, (By a stick,), from the series Miroir Drolatique (Humorous Mirror), published in Le Charivari
after 1841
go to Vue générale de la Tamise à Londres. (General view of the Tames in London.), from the series Mr. Trottman en Angleterre (Mr. Trottman in England), published in Le Charivari page
Unknown (French, 19th century)
Vue générale de la Tamise à Londres. (General view of the Tames in London.), from the series Mr. Trottman en Angleterre (Mr. Trottman in England), published in Le Charivari
after 1841
go to L'artiste s'épuise à indiquer les finesses répandues dans son oeuvre: (The Artist wears himself out trying to underscore the subtleties permeating his work:.), from the series Salon de 1841 (Salon of 1841), published in Le Charivari page
Unknown (French, 19th century)
L'artiste s'épuise à indiquer les finesses répandues dans son oeuvre: (The Artist wears himself out trying to underscore the subtleties permeating his work:.), from the series Salon de 1841 (Salon of 1841), published in Le Charivari
n.d.
go to Le grand Saigneur. (The high-and-mighty Leecher.), from the series Série polit. (Polit. Series), published in Le Charivari page
Unknown (French, 19th century)
Le grand Saigneur. (The high-and-mighty Leecher.), from the series Série polit. (Polit. Series), published in Le Charivari
22 December 1833
go to Attaque de L'entrée du Faubourg du Temple. (Attack at the entrance of the Faubourg du Temple), from the series Souvenirs des Journees de Juin, 1848 (Memories of June 1848), published in Le Charivari page
Unknown (French, 19th century)
Attaque de L'entrée du Faubourg du Temple. (Attack at the entrance of the Faubourg du Temple), from the series Souvenirs des Journees de Juin, 1848 (Memories of June 1848), published in Le Charivari
19 July 1848
go to Inconvénient de se promener dans la campagne en temps de recherches politiques. (Disadvantage of taking a walk in the country in time of political turmoil.), from the series Fariboles (Nonsense), published in le Charivari page
Unknown (French, 19th century)
Inconvénient de se promener dans la campagne en temps de recherches politiques. (Disadvantage of taking a walk in the country in time of political turmoil.), from the series Fariboles (Nonsense), published in le Charivari
after 1841
go to Le gibier qui est toujours le plus tentant. (The game that is always more tempting.), from the series Fariboles (Nonsense), published in le Charivari page
Unknown (French, 19th century)
Le gibier qui est toujours le plus tentant. (The game that is always more tempting.), from the series Fariboles (Nonsense), published in le Charivari
n.d.
go to "Comme je suivrais cette femme là… si j'avais des bottes!" (How I would follow this woman here…if I had boots!), from the series Fariboles (Nonsense), published in Le Charivari page
Unknown (French, 19th century)
"Comme je suivrais cette femme là… si j'avais des bottes!" (How I would follow this woman here…if I had boots!), from the series Fariboles (Nonsense), published in Le Charivari
1853
go to "N'est-ce pas qu'il a tout à fait les yeux d'Ernest!....." (Doesn’t he have exactly Ernest eyes!...), from the series Fariboles (Nonsense), published in Le Charivari page
Unknown (French, 19th century)
"N'est-ce pas qu'il a tout à fait les yeux d'Ernest!....." (Doesn’t he have exactly Ernest eyes!...), from the series Fariboles (Nonsense), published in Le Charivari
3 December 1850
go to "La Charité, S.V.P. Mesdames et Messieurs" ("Charity please, Ladies and Gentlemen") page
Unknown (French, 19th century)
"La Charité, S.V.P. Mesdames et Messieurs" ("Charity please, Ladies and Gentlemen")
12 January 1880
go to Le duel Boulanger-Lareint’y [sic] (The Duel of Boulanger and Lareinty) page
Unknown (French, 19th century)
Le duel Boulanger-Lareint’y [sic] (The Duel of Boulanger and Lareinty)
late 19th century
go to La grande bataille du 21 aôut 1881 (The Great Battle of August 21, 1881) page
Unknown (French, 19th century)
La grande bataille du 21 aôut 1881 (The Great Battle of August 21, 1881)
1881
go to Notre futur archivique (Our Future Archbishop) page
Unknown (French, 19th century)
Notre futur archivique (Our Future Archbishop)
late 19th century
go to Courtroom Scene (verso: Death Overtaking a Bourgeois) page
Jean Louis Forain
Courtroom Scene (verso: Death Overtaking a Bourgeois)
n.d.
go to Drawing for Max #2 (Sketchbook 13-1) page
Stuart Davis
Drawing for Max #2 (Sketchbook 13-1)
1932
go to Souvenirs du Voyage ministériel (Souvenirs from the ministerial trip) page
Unknown (French, 19th century)
Souvenirs du Voyage ministériel (Souvenirs from the ministerial trip)
n.d.
go to Let Us Feel Heartbreak (Quote by Deena Metzger; Bird: Maui Akepa, Declared Extinct October 2021), from the series Eco Grief Extinction page
Andrea Bowers
Let Us Feel Heartbreak (Quote by Deena Metzger; Bird: Maui Akepa, Declared Extinct October 2021), from the series Eco Grief Extinction
2022
go to Retouched counterproof of Parade of the Captured Chiefs page
